菲律宾电影大师拉夫·迪亚兹从陀思妥耶夫斯基的名著《罪与罚》中获得灵感，讲述一个理想幻灭的法律系学生法比安犯下谋杀罪却逍遥法外，被误当成凶手的杰奎恩含冤入狱后，其家庭也随之破碎的故事。与迪亚兹的一系列“慢电影”一样，长达4个多小时的影片由多个长镜头组成，通过冷静客观、不介入主人公情感的平视角度，探讨菲律宾当代知识分子该如何处理沉重的政治遗产、贫富差异加剧如何解决等多个社会议题。入围2013年戛纳电影节一种关注单元，荣登《视与听》杂志2013年度十佳电影第九名。

Cast 　　Leonie Rysanek .... Elektra 　　Astrid Varnay .... Clitamestra 　　Catarina Ligendza .... Crisotemis 　　Dietrich Fischer-Dieskau .... Orestes 　　Hans Beirer .... Egisto 　　Josef Greindl .... Criado 　　Kurt Böhme .... Ein alter Diener 　　Christopher Doig .... Ein junger Diener 　　Olga Varia .... Die Schleppenträgerin 　　Carmen Reppel .... Die Vertraute 　　Colette Lorand .... Die Aufseherin 　　Rolf Boysen .... Agamenon 　　Konzertvereinigung Wiener Staatsopernchor 　　Wiener Philharmoniker 　　Karl Böhm .... conductor

he last production staged by Patrice Chéreau, this Elektra will remain as the main and most striking lyrical event of these last years in Aixen-Provence. 　　In 1903, Richard Strauss attended a performance of Elektra, a play by the Viennese poet Hugo von Hofmannsthal based on the tragedy by Sophocles. Three years later, Strauss came to an understanding with Hofmannsthal on a lyric adaptation of the play. Even though tepidly received at its premiere on 25 January 1909 in Dresden, Elektra quickly won over audiences and today occupies an enviable place in the repertoire of opera houses the world over. With its clear-cut contrasts and telluric power, it is one of the most scathing masterpieces of the whole lyric repertoire. 　　Elektra comes in the wake of Salome with the same dimensions (a single act lasting approximately an hour and three-quarters), a story taking place in ancient times, extreme feelings, and devastating violence. Frenzied unity of place, time and action, with the drama unfolding in the courtyard of the palace in Mycenae, in real time. It tells how Elektra, daughter of King Agamemnon, keeps alive the memory of her father, murdered upon his return from Troy by his wife, Clytemnestra, and her lover, and dwells only on vengeance. And how this vengeance finally comes about. 　　This production is led by three amazing singers: the German soprano Evelyn Herlitzius gave a tremendous, never-to-be-forgotten account of the title role, Waltraud Meier portrays a human and chilling Clytemnestra and Adrianne Pieczonka is a fantastic Chrysothemis. 　　Everyone’s loneliness and intimate struggles are Patrice Chéreau’s favorite theatrical themes. With Esa-Pekka Salonen conducting the Orchestre de Paris, this production of Elektra becomes an unforgettable experience.

Johann Strauss Jr. is the darling of waltzing Vienna, but he is haunted by constant pressure to outdo himself with each new composition. When Strauss meets Nicholas, a humble young stableboy, they realize they have much in common. The composer and the boy share the healing bond of trust and embark on a collaboration that will be music to the world's ears. 　　Video offers English, French and Spanish language selection as well as Descriptive Text.

Interview with Jean-Marie Straub and Danièle Huillet about their movie Klassenverhält

Quelques mois avant son entrée à l’Académie française ( 1972 ), Claude Lévi-Strauss revient sur son itinéraire et sa pensée dans un entretien exceptionnel accordé à Jean-José Marchand. A partir de ces archives uniques, Pierre Beuchot réalise en 2004 un portrait qui reste la meilleure des introductions à l’œuvre de Claude Lévi-Strauss.

1931年皖东余田镇，镇上大户白老爷迫于生意和家产，不得已将 白灵 （ 程愫 饰）嫁给 钱一飞 （ 刘向京 饰）。白灵跳崖轻生，深爱白灵的 唐天明 （ 潘泰名 饰）和下人 田小满 （ 黄维德 饰）把白灵救了回来。唐天明决定帮白家还债，爷爷唐贯鸿万般阻拦。原来唐天明不是唐家大少爷，而是田树槐的孩子，与下人田小满是亲兄弟。白灵一心寻仇，周旋在钱一飞和唐天明中间。日本入侵余田镇，田小满带着双枪队上山当了义匪，专门对抗鬼子。唐天明跟随何团长参加了国军，钱一飞当了汉奸，白灵却不知所踪。几个月后，白灵回到了余田镇，她嫁给了 朱晋涛，与唐天琪一起抓汉奸。抗日胜利后，田小满加入了共产党跟随香兰的部队。国军战败逃往台湾，祖国解放。唐天明去了台湾，田小满和唐天明从此天各一方，继续完成历史赋予他们的使命 。